| My
first experience with photography was a little over 20 years ago
when my sister and I would get out our Girl Scout gear (patches,
books and all), make quasi studio setups on the deck in the backyard
and snap away with our tiny 110 Burger King camera. We had so much
fun arranging props and giggling commands from behind the viewfinder,
we never realized we were dancing on the edge of something I’d
go into later in life. Luckily, my photographic whims and abilities
have changed quite a bit since then, but I continue doing photography
today for the same reason I did then: I enjoy it.
When I got serious about photography, I began shooting with my
grandpa's old Fujica 35mm camera. I loved it for many reasons: sentimental
value (he used this camera to take my picture on my first day of
kindergarten), its heft, its shiny silver accents, and most importantly,
the photos I was able to create with it. A couple of years later,
I bought a new 35mm camera with all the bells and whistles, some
fancy filters and a zoom lens, but shortly thereafter, I stumbled
upon toy cameras, promptly stowed my “real” cameras,
and haven't looked back. Occasionally I dabble with my other cameras
(35mm, vintage, pinhole, and digital) but my toys are my favorites.
What is a toy camera and why on earth do I use them? Well, toy
cameras are "crappy" entirely-plastic cameras that usually
cost less than $25 and are known for their blur, aberrations, light
leaks and vignetted corners. I use them because I love what I am
able to create with them: dream-like, often surreal imagery. I love
the square format. I love that I can pack five of them and still
come in under two pounds! I love being able to laugh in the face
of this age of high-priced digital hullabaloo (my toys don't even
have battery compartments!). I love simplicity. I strive to shoot
subjects that convey it, and toy cameras are perfect for that. My
goal artistically is simple as well: to have fun. As long as photography
remains a source of happiness and enjoyment for me, I'll keep doing
it.
I live in Northern Utah and spend my free time traveling
and kayaking. I am an outdoor gear photographer by day; and by night,
I am the Supervising Editor of Light Leaks, an independent quarterly
print magazine dedicated to the art of low fidelity photography,
now in its third year of publication.
Exhibits
February – May 2008
Local Color, Martine, Salt Lake City, Utah (solo exhibit)
April 2007
Local Color, Solstice Framing & Gallery, Salt Lake
City, Utah (solo exhibit)
February-April 2007
Light Box IV: A Postal Art Show, Linn-Benton Community
College, Albany, Oregon
February 2007
Local Color, Rio Grande Café, Salt Lake City, Utah
(solo exhibit)
January 2007
Basin and Range II, Universe City Gallery, Ogden, Utah
November 2006
Toy Polloy, The Icehouse, Lexington, Kentucky
October 2006 – August 2007
Recent work, Holey Cow, Garden City, Utah (solo exhibit)
January 2006
Basin & Range, Universe City Gallery, Ogden, Utah
Altered Landscapes, Women’s Art Center, Salt Lake City, Utah
July 2005
Recent work, Wasatch Wildflower Festival, Alta, Utah (solo
exhibit)
Publications
October 2007
High Desert Journal, Issue #6
May 2007
F-Stop
Magazine
April 2007
Spring/Summer 2007 Salt Lake Visitor’s Guide
March 2007
SkyWest Magazine
March 2007
Ogden
Union Station website
October 2006
Ag Magazine, Issue #45
December 2005 to present
Light Leaks Magazine
December 2005
Toycamera Calendar 2006
October 2005
The Toycam Handbook
March 2005
Ogden Union Station Brochure
March 2005
All Aboard Quarterly, Friends of Ogden Union Station
Miscellaneous
November 2006 – May 2007
Gallery Assistant, Utah Artist Hands, Salt Lake City, Utah
October 2005
World Toy Camera Day competition winner, color photography
July 2005
Photography Workshop Instructor, Wasatch Wildflower Festival, Alta,
Utah
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