My first experience with photography was a little over 20 years ago when my sister and I would get out our Girl Scout gear (patches, books and all), make quasi studio setups on the deck in the backyard and snap away with our tiny 110 Burger King camera. We had so much fun arranging props and giggling commands from behind the viewfinder, we never realized we were dancing on the edge of something I’d go into later in life. Luckily, my photographic whims and abilities have changed quite a bit since then, but I continue doing photography today for the same reason I did then: I enjoy it.

When I got serious about photography, I began shooting with my grandpa's old Fujica 35mm camera. I loved it for many reasons: sentimental value (he used this camera to take my picture on my first day of kindergarten), its heft, its shiny silver accents, and most importantly, the photos I was able to create with it. A couple of years later, I bought a new 35mm camera with all the bells and whistles, some fancy filters and a zoom lens, but shortly thereafter, I stumbled upon toy cameras, promptly stowed my “real” cameras, and haven't looked back. Occasionally I dabble with my other cameras (35mm, vintage, pinhole, and digital) but my toys are my favorites.

What is a toy camera and why on earth do I use them? Well, toy cameras are "crappy" entirely-plastic cameras that usually cost less than $25 and are known for their blur, aberrations, light leaks and vignetted corners. I use them because I love what I am able to create with them: dream-like, often surreal imagery. I love the square format. I love that I can pack five of them and still come in under two pounds! I love being able to laugh in the face of this age of high-priced digital hullabaloo (my toys don't even have battery compartments!). I love simplicity. I strive to shoot subjects that convey it, and toy cameras are perfect for that. My goal artistically is simple as well: to have fun. As long as photography remains a source of happiness and enjoyment for me, I'll keep doing it.

I live in Northern Utah and spend my free time traveling and kayaking. I am an outdoor gear photographer by day; and by night, I am the Supervising Editor of Light Leaks, an independent quarterly print magazine dedicated to the art of low fidelity photography, now in its third year of publication.

Exhibits

February – May 2008
Local Color, Martine, Salt Lake City, Utah (solo exhibit)

April 2007
Local Color, Solstice Framing & Gallery, Salt Lake City, Utah (solo exhibit)

February-April 2007
Light Box IV: A Postal Art Show, Linn-Benton Community College, Albany, Oregon

February 2007
Local Color, Rio Grande Café, Salt Lake City, Utah (solo exhibit)

January 2007
Basin and Range II, Universe City Gallery, Ogden, Utah

November 2006
Toy Polloy, The Icehouse, Lexington, Kentucky

October 2006 – August 2007
Recent work, Holey Cow, Garden City, Utah (solo exhibit)

January 2006
Basin & Range, Universe City Gallery, Ogden, Utah
Altered Landscapes, Women’s Art Center, Salt Lake City, Utah

July 2005
Recent work, Wasatch Wildflower Festival, Alta, Utah (solo exhibit)

Publications

October 2007
High Desert Journal, Issue #6

May 2007
F-Stop Magazine

April 2007
Spring/Summer 2007 Salt Lake Visitor’s Guide

March 2007
SkyWest Magazine

March 2007
Ogden Union Station website

October 2006
Ag Magazine, Issue #45

December 2005 to present
Light Leaks Magazine

December 2005
Toycamera Calendar 2006

October 2005
The Toycam Handbook

March 2005
Ogden Union Station Brochure

March 2005
All Aboard Quarterly, Friends of Ogden Union Station

Miscellaneous

November 2006 – May 2007
Gallery Assistant, Utah Artist Hands, Salt Lake City, Utah

October 2005
World Toy Camera Day competition winner, color photography

July 2005
Photography Workshop Instructor, Wasatch Wildflower Festival, Alta, Utah